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CineForm Technical Notes

Some information about where to get questions answered and technical support....

FAQ: General Q&A about CineForm products and workflow. 

Tech Notes: Detailed descriptions about selected special topics and workflow items.

Technical Support: If you have general technical support questions, please visit our technical support site or else email support@cineform.com.

Forums: CineForm's CTO David Newman is very active on two forum sites, dvinfo.net and dvxuser.com, at which there are active CineForm discussion threads with hundreds of posts covering our products, technology, and various workflow questions. 

If you haven't found what you're looking for, don't hesitate to send us an email

Tech Note Topics
Basics
HDLink: File capture, pre-processing, and conversion techniques
Special Camera Modes and File Processing (HDV and DVCPro HD)
Premiere Pro Workflow Notes
Final Cut Pro Workflow
CineForm RAW
Red One Camera Support
Other


Basics

Understanding CineForm Compression Quality Settings

HDLink - File capture, pre-processing, and conversion techniques

HDLink - File Conversion and Scaling Techniques

HDLink - Camera-specific capture settings

Inverse Telecine Processing - Sony HVR-V1U, Canon HV20, and Other HD Camcorders

AVCHD Sources - Converting to CineForm Intermediate for Editing

ReWrapping headers between AVI and MOV Files

HDMI Capture Using the Blackmagic Intensity Card

Converting SD Sequences to CineForm Intermediate

Exporting CineForm Projects Back to HDV Camcorders

Special Camera Modes and File Processing (HDV and DVCPro HD)

CineFrame Unmasked - Taking Maximum Advantage of Sony's HDV CineFrame Modes

Editing DVCPRO HD Files from the HVX200 with all CineForm Products - including HDLink settings

Image Resolution and Scaling Considerations for the HVX200

Premiere Pro Workflow Notes

Maintaining Best Image Quality When Exporting an HD Project to DVD

Pan and Scan: How to Implement in an HD Project when exporting to 4:3 SD

Long-Form Project Strategies for Premiere Pro 1.5.1 and 2 using Aspect HD / Prospect HD

Exporting CineForm Projects Back to HDV Camcorders

Active Metadata - Global and Clip-Based Playback / Render Controls for CineForm RAW (Windows)

Editing CineForm RAW on the Premiere Pro editing timeline (Windows)

3D LUTs for CineForm RAW - Creating New LUTs Within Premiere Pro (Windows) - Beta Release Build 161

ReWrapping headers between AVI and MOV Files

Final Cut Pro Workflow Notes

Final Cut Pro - Optimum Sequence Settings for Real-Time Performance

Final Cut Pro - Exporting Sequences for Compatibility with Windows

Editing CineForm RAW on the Final Cut Pro timeline (Mac OS X)

Active Metadata - Global and Clip-Based Playback / Render Controls for CineForm RAW (Mac)

ReWrapping headers between AVI and MOV Files

CineForm RAW

CineForm RAW Technology Primer

RAW File Converters for Dalsa Origin and Vision Research Phantom Cameras
(Windows only)

Active Metadata - Global and Clip-Based Playback / Render Controls for CineForm RAW (Windows)

Active Metadata - Global and Clip-Based Playback / Render Controls for CineForm RAW (Mac)

Editing CineForm RAW on the Premiere Pro timeline (Windows)

3D LUTs for CineForm RAW - Creating New LUTs Within Premiere Pro (Windows) - Beta Release Build 161

Editing CineForm RAW on the Final Cut Pro timeline (Mac OS X)

Red Camera Workflow Notes

Exporting CineForm files from RedCine

Prospect 4K - RedCine Exports and Premiere Project Settings

Other

AJA OEM-LH/LHe - Driver Installation Instructions

Laptop Direct to Disk Recording Using Magma Express Box EB1F

DPX to CineForm Files (and vice versa) Conversion Utility


 

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