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CineForm Workflow Overview


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CineForm Workflow Overview

The following pages present an overview of a CineForm-based post workflow, from camera (or file) acquisition through project distribution.  Using the links below you can access specific workflow topics.  Other sections on our website will fill in additional details such as our Product pages, Tech Notes pages, and our FAQ.

 

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Introduction

Before We Get Started - A Few Things to Know About a CineForm Workflow

Step 1 - Convert Camera or File-Based Source to CineForm Files

Step 2 - Online Post Workflow

Step 3 - Distribution

Step 4 - Digital Archive

Which CineForm Product is Right for Me?

Introduction
CineForm Enhances and Simplifies Your Post-Production Workflow....

CineForm software simplifies the work of editors and effects artists through post-production by converting myriad camera and file formats into a common AVI or MOV format ("CineForm Intermediate") that offers visual fidelity and performance that exceeds native source formats.  The result of using a CineForm-based post workflow is higher visual quality for your finished project, yet with reduced investment of labor and equipment.

 

Step 1: Acquire content directly into CineForm files (AVI or MOV), or else convert existing camera/file formats into CineForm files.  Your CineForm files become your new masters - your original footage can be archived.

 

Step 2: With Neo, Aspect, or Prospect family products installed, you are ready to begin online post-production using Premiere Pro/After Effects, Final Cut Pro/Motion, Combustion, Vegas, Speedgrade, and many other industry-standard software products. No proxy files, no conforming, and no specialized hardware is ever required, even at spatial resolutions up to 4K!  Your CineForm files are cross-platform (Windows/Mac) and cross-applications compatible.

 

Step 3: For distribution you simply render from your CineForm project master to your preferred distribution format (such as MPEG2, h.264, MPEG4, VC1, etc) using your NLE or effects software.  For recording to tape through HD-SDI you can playout your CineForm project using Prospect HD/4K with Adobe Premiere Pro and an AJA Xena card on Windows (Final Cut Pro coming). For digital projection you should use CineForm files for best visual fidelity unless your projection requires DCI compliance.

 

Using a CineForm workflow:

  • "Normalize” myriad camera, tape, and file formats into CineForm AVI or MOV files which become your new digital master

  • Remove telecine (24p from 60i), de-interlace, spatial resampling, plus many more pre-processing features

  • Up to 4K spatial resolution, 12-bit precision, plus 4:2:2, 4:4:4(:4), and Raw chroma formats

  • Converted files are Windows and Mac compatible: Premiere Pro, After Effects, Vegas, Final Cut Pro, Motion, etc.

  • Post-production is always "online" meaning you edit the CineForm master files – no proxy files or conforming

  • CineForm files are visually equivalent to using uncompressed files – except smaller.

  • Compatible cameras includes: HDV, AVCHD, XDCam HD/EX, DVCPro HD, HD-SDI

  • File compatibility includes: uncompressed, DPX, Infinity J2K MXF (coming), R3D (coming), and many others

Previous Page  Next Page
 

Introduction

Before We Get Started - A Few Things to Know About a CineForm Workflow

Step 1 - Convert Camera or File-Based Source to CineForm Files

Step 2 - Online Post Workflow

Step 3 - Distribution

Step 4 - Digital Archive

Which CineForm Product is Right for Me?


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