Media Contacts:
David Taylor
CineForm, Inc
760.804.5905 x301
dtaylor@cineform.com
|
|
Mary Reeves
CineForm, Inc
760.804.5905 x306
mreeves@cineform.com
|
FOR IMMEDIATE RELEASE
|
CINEFORM’S PROSPECT HD USED AS ONLINE DIGITAL
INTERMEDIATE FOR FEATURE FILM “DUST TO GLORY”
A Compressed DI Format Running on Affordable Window
XP-based PCs Revolutionizes Feature Filmmaking |
CARLSBAD, CA, January 24, 2005 – CineForm,
Inc. today is announcing that its 10-bit visually lossless
compressed Digital Intermediate software, Prospect HD, working
seamlessly within Adobe® Premiere Pro®, was used throughout the
post-production process to finish the feature film “Dust to
Glory”. The “Dust to Glory” project represents the first time a
feature film intended for broad theatrical release has taken the
offline EDL and conformed using a compressed Digital
Intermediate format throughout the online workflow, including
real-time editing, color correction and final film out. “Dust to
Glory” is being released by IFC Films, and will hit theatres
beginning April 1, 2005.
A film by BronWa Pictures, “Dust to Glory”
chronicles the notorious and dangerous Tecate SCORE Baja 1000
race in Mexico. During 40 nonstop hours of filming, 250 hours
of footage was captured using 55 cameras, including 35mm film,
16mm film, HDCam, and DVCam. The mixed formats were transferred
by scanning film and digitizing video at Laser Pacific in
Hollywood into CineForm Intermediate™, CineForm’s Visually
Perfect™ 10-bit compressed HD format that is part of Prospect
HD. The CineForm Intermediate formatted content then became the
online source used to finish all editing, color correction and
titling. Real-time editing was performed on the BOXX
Technologies’ HD [pro] RT workstation in full-resolution HD
using CineForm’s Prospect HD working within Adobe Premiere Pro
software. Edited sequences remained in CineForm Intermediate
and were shared via LAN with a second workstation that performed
color correction using Color Finesse (by Synthetic Aperture)
with Adobe After Effects®. Color corrected material was
imported back into Adobe Premiere Pro for final editing
including titling. At any point in the workflow CineForm
Intermediate provided the creative team with digital screening
capabilities vital for the review process. The digital
intermediate master was used to create the Inter-negative that
derived the film’s release prints and also the various versions
for video releases;
(NOTE: After the color correction activities
were completed last summer on “Dust to Glory”, CineForm and
Synthetic Aperture have recently finished 10-bit color
correction support directly within Adobe Premiere Pro using the
Color Finesse plug-in. This eliminates the need to use After
Effects – all editing and color correction can be performed
directly in Adobe Premiere Pro with CineForm Intermediate.)
Dana Brown, Director, Writer, Editor and
narrator of “Dust to Glory”, explained the team’s initial
cautious optimism, “When we began the D2G post work we were
hopeful, yet not convinced, we could successfully use an online
compressed DI format to complete all of our editing, effects,
color corrections, and titling. After all, we didn’t think
anybody had ever done this before. But by the end of the project
our whole team agreed - the effort was an overwhelming success
as measured by the superb visual quality of the film print.”
Jacob Rosenberg, Online Editor and Supervisor
for “Dust to Glory” states, “When people see this movie in
theatres they won’t have any idea how many “rules” were broken
in delivering such a high-quality HD master for the film print.
The CineForm Intermediate compressed format provided flawless
reliability and stunning visual quality through multiple
recompressions, holding true to the original source quality. My
job benefited by having manageable file sizes, real-time editing
performance, and a seamless integrated online workflow – and
running on a PC from start to finish!”
“We’re honored to have been selected for this
project by Dana and his team”, said David Taylor, CEO of
CineForm. “Together we all learned a ton going through this
rigorous process, and we believe the result proves our products
are up to the challenge of professional theatrical work.”
About Prospect HD
Prospect HD™ for Adobe® Premiere® Pro is the
world’s first software-based 10-bit real-time high-definition
video engine. Prospect HD replaces the arithmetic engine in
Adobe Premiere Pro to deliver its real-time performance and
10-bit precision without the need for specialized hardware.
Prospect HD’s remarkable real-time performance is achieved
through its patent-pending
CineForm
Intermediate™ algorithms which access and process
high-resolution video data on disk in an extraordinarily
efficient manner. From the Adobe Premiere Pro capture
interface, Prospect HD ingests 8-bit or 10-bit HD source
material, including HD-SDI and HDV, and converts it in real time
into the highly-efficient CineForm Intermediate format prior to
writing the stream to disk. This workflow reduces the bandwidth
normally required to process high-resolution content while
simultaneously lowering the cost of associated storage. The
result is a highly productive environment with virtually no need
for rendering.
CineForm developed Prospect HD to run
efficiently on the Windows® XP desktop, offering unprecedented
performance in software for professionals in film, broadcast,
and corporate media at a fraction of the cost of alternative
solutions. Its AVI file structure ensures compatibility across
a broad range of Windows-based applications including Adobe
After Effects and Windows Media Player.
Pricing and Availability
BOXX Technologies’ HD [pro] RT real-time
editing workstation is based on CineForm’s Prospect HD. A
fully-configured editing workstation including a dual-Opteron
PC, Prospect HD, Adobe Premiere Pro, Adobe Audition, Adobe
Encode DVD, Adobe After Effects Professional, an AJA Xena HD-SDI
I/O card, and 10 hours of storage is available immediately from
BOXX Technologies for $14,999. Additional CineForm integrators
will announce availability in the near future.
About CineForm
CineForm, Inc., located in Carlsbad,
California, develops software technologies and products for use
by media professionals in high-resolution post-production
applications. CineForm's acclaimed products provide unmatched
video quality and real-time performance within an editing
environment while enabling an online Digital Intermediate
workflow that runs on affordable Windows desktop PCs. CineForm
uses the industry-standard AVI wrapper to guarantee file
compatibility with dozens of video-related Windows
applications. CineForm sells its products to end users through
its reseller channel and from its website; CineForm also
licenses its technologies to other video hardware and software
manufacturers. For more information, contact CineForm at
760-804-5905 x306, or visit CineForm’s website at
www.cineform.com.
For more information on the “Dust to Glory”
theatrical release:
Michelle Panzer
IFC Films – 646.273.7207
###
Other product
or service names mentioned herein are the trademarks of their
respective owners. Adobe, Adobe Premiere and After Effects are
trademarks or registered trademarks of Adobe Systems
Incorporated in the United States and/or other countries. |